Francesca Erdosh

Systems & Society

Bio

BFA AWARD: Systems Designer of the Year

Francesca Erdosh is a fashion systems designer and sustainable fashion advocate. Her work lives in the intersection of fashion, environmental justice, and education. Francesca strives to contribute to the just transitions needed to transform the fashion industry into an ethical and community-driven system rooted in ideas of respect and reciprocity for humans and the Earth.

FASHION FUTURES

For systemic change in the fashion industry, consumers, policymakers, and designers each have a key role to play. 

The Ellen MacArthur foundation states that 80% of a productʼs environmental impact is influenced at the design stage, but sustainability is still being taught as a niche in the fashion education system.

Fashion design students are the future of the fashion industry, yet in standard fashion education they are not taught to question the global fashion system which relies on exploitation and extraction for its pursuit of capital gain and which perpetuates the histories and practices of colonialism.
To address these curriculum gaps, a supplementary sustainable fashion education system, that through a combination of both structured and unstructured methods, provides resources and incentives to encourage critical thinking, build community, and empower students for systemic change. 

The system consists of FASHION FUTURES: A one-stop sustainable fashion design hub, garments made out of design-student-waste collected from the Parsons studios, up-cycling workshops that question how we define waste, and a sponsored sustainable fashion internship grant proposal. 
Image: Sustainable Fashion Advocate André Delgado Diaz in Fashion Futures garment made out of fashion design student scraps. 2026
Image: Throughout the design of this system, I attended as many sustainable fashion events and activities as possible  to expand my community building efforts. This practice played an integral role in shaping my thesis.

Research

The first concept for my thesis grew out of my experience with low fashion design student participation in sustainable fashion initiatives due to the many disconnected streams of information on these events and activities.

During my research, I also found there to be a gap in the non-institutional platforms for sustainable design education, as almost all of the sustainable fashion organizations I encountered focused on consumer and policy influence and education. 
Image: Interviews with Michelle Gabrielle and Nina Stevenson. 2025.
Image: Parsons specific research. 2025.

Structured Education: FASHION FUTURES Digital Platform

The first formal method of fashion education in this system is FASHION FUTURES.

Currently, Fashion Revolution is supporting this initiative through a consultation-based pilot partnership!

Image: FASHION FUTURES: One-Stop Sustainable Fashion Design Hub. 2026.

Structured Education: Sponsored Sustainable Fashion Grant Proposal

The Fashion Futures: Advancing Sustainable Fashion Design Education Through Sponsored Internships grant proposal outlines a project to address the gap in sustainable fashion education through internships.

Many sustainable fashion brands are not able to offer paid internships, and many students cannot afford to take unpaid internships. The project provides stipends for student designers to complete paid internships with sustainable fashion design brands and facilitates opportunities for mutual learning and knowledge sharing.
Connecting young designers with sustainable brands creates potential for community connection, collaboration, innovation and a fashion system that is rooted in reciprocity. 

Once funding is received for the grant proposal, the internship application will be added to the FASHION FUTURES hub as an incentive for students to visit the platform.

Unstructured Education: Engaging Students Through Materiality

After struggling to keep students engaged with more formal conversations about sustainability, I had a breakthrough when I began experimenting with materiality and my peers started coming over to engage with the garments.

I realized that I needed to speak the fashion design language. So as a part of my thesis, I designed garments out of fashion design student waste that used materiality to attract student curiosity. Every evening before I left the studios, I would walk around and collect scraps from the ground. I would be grabbing thread bits by students' feet as they sewed and I'd ask them, "Are you using this material?" And they would look at me like I was crazy, but with each interaction, I would see students begin to register all of the waste around them. 

Image: Sustainable Fashion Advocate Sushmita Dhekne in Fashion Futures. 2026. 
Image: Fashion Futures Thread Top. 2026.
Image: Collecting scraps from the Parsons studios each evening. 2026.

"How Do You Define Waste?"

I began asking students how they define waste while collecting scraps each evening.

I have many voice memos in my phone of students reflecting on their definitions of waste. I believe that these unstructured interactions opened the door to meaningful student reflection. 

Image:

Sustainable Fashion Advocate André Delgado Diaz in garment made of fashion design student scraps picked up from the Parsons studios. 2026.

Image: Sustainable Fashion Advocate André Delgado Diaz in Fashion Futures. 2026. 

Student engagement grew while I continued to create out of waste. While I was sewing in the studio, students would come up to look at my garments and try to find their scraps within them. Although this may seem insignificant, I think this act of recollecting something that your brain has already perceived as being "thrown away" is an important step to registering the fact that there is no "away."

Image: Sustainable Fashion Advocate André Delgado Diaz in Fashion Futures. 2026. 
Image: Sustainable Fashion Advocate André Delgado Diaz in Fashion Futures. 2026. 
Image: Sustainable Fashion Advocate Sushmita Dhekne in Fashion Futures. 2026. 
Image: Key Takeaway: The value of practicing.

Structured Education: Up-Cycling Workshops

I wanted to provide students a more formal opportunity to engage with this practice, so I started hosting workshops shaped around the question: At what point does material cross the threshold to waste?
I ask students to collect their scrap material for a period of time and then bring it to the workshop to up-cycle. 
By presenting sustainability in a more digestible way for design students, it takes sustainability from an abstract concept to a tangible action. Additionally, students are exposed to the fact that when we remove the boundary of what we believe is waste, there is so much more potential for creativity.
This process of starting to question the fashion system begins to build these deeper critical thinking skills that are so important for young designers.

Workshop Collaborations

I hosted 3 workshops: 1) Class-specific workshop in Parsons Systems & Society Thesis Class; 2) Helix Commons Launch at Yale School of the Environment; 3) FASHION FUTURES x Fashion Revolution, Fashion Revolution Week Workshop

I met my workshop collaborators at sustainable fashion events I had attended.

Image:

Posters for Fashion Revolution x FASHION FUTURES Up-cycling Workshop for Fashion Revolution Week 2026.

Image: Key Takeaway: Importance of community connection in sustaining resistance